Article originally found by Sangome.
Once again, fellow Otaku, someone from outside our community and culture has written up an expose on how anime and manga are nothing but an endless barrage of overly-sexualized imagery.
Despite getting some things right by stating that not all anime/manga is sexualized and how the good/evil duality of western culture is blurred, this article still ends up being mostly offensive.
Anybody who doubts the rapidly growing influence of Japan's erotic cultural imports in the U.S. only has to spend a little time playing with a Hello Kitty vibrator while reading a fan-created pornographic Pokemon comic — or visit a “maid café” (now available near Los Angeles and Canada) where the waitresses all dress in costume — to realize it's not just a fringe subculture anymore.
There is a good argument to be made, based on those characters alone, that we are all “turning Japanese” as the '80s song goes — especially sexually.
These cartoony, sexualized characters are all part of otaku culture. Otaku is a Japanese word that has evolved from meaning "techno-geek" to describing devoted fans who pore over Japanese animation (anime), manga (graphic books), hentai (erotic comics) and other comics-derived media. As the recent fashion collaboration of designer Marc Jacobs and Japanese artist Takashi Murakami illustrates, otaku culture has become entrenched in the hip American mainstream.
Of course, not all anime and manga is overtly sexual — a lot of it is meant for children. Even some adult anime isn’t sexualized any more than, say, Wonder Woman (who was created as a dominatrix bondage fantasy.)
But sexually-suggestive and explicit anime like "Gurren Lagann" and "Legend of the Overfiend," is finding an eager audience of adult Americans who are drawn to the post-modern, almost post-human mash-up of playful, blurry morality found in the genre.
“The appeal of Japanese pop culture [to Americans] is that it is a moral-free zone,” explains Patrick Macias, editor in chief of Otaku USA, a bi-monthly magazine with a circulation of approximately 60,000. “The ideas of good/bad, right/wrong, that duality is not present.”
